Capsules and silhouette notes for clients building a refined wardrobe — mood, line, and cloth character, not a shop floor of seasons for sale.
These are not SKUs and not a catalogue. Each capsule is a look we develop against — a silhouette language and a cloth mood — so a brief can start from something concrete.
Names stay plain on purpose. The work is in the silhouette and the cloth, not in a seasonal slogan.
Clean lines for heat and work: ease through the shoulder, a waist that sits without pinching, cloth that holds a crease then softens. Built for repetition, not for a single photograph.
A longer vertical, fewer seams, cloth that takes light without glitter. The set is small: one dress or column, a wrap or jacket that closes the shoulder, and nothing that fights the hem.
Pieces that recover after a bag: knits and mid-weights that refuse a hard crease, layers that stack without bulk, colours that stay calm under different light. Designed so the wardrobe moves with the wearer.
Three checks we write into a brief before cloth is cut — the same questions return whether the work becomes a capsule or a single piece.
Where the line starts, and whether the eye is pulled up or down when the wearer stands still.
How much room the body needs to sit, walk, and reach — measured for Spain / EU climate and day length.
Weight, drape, and recovery after wear — chosen so the silhouette survives more than one outing.
Sizing reference for Spain / EU sits in the Guide. How a brief becomes a set is on Collection Development.
A photo, a fabric scrap, or a sentence about how you want to feel in it is enough to start a direction.
